Glass Cannon covered the video side of Mt. Joy’s most recent tour. We were happy to work with them in the realms of server programming, content stitching, and daily on site visual direction
Turnover
Turnover's tour spans venues ranging from 1,500-capacity rooms all the way to full size amphitheaters. We needed a design that would fit and fill any room in the tours path. For larger venues like Red Rocks and The Greek, we added a supplemental rig to enhance the space and ensure it felt full. This addition fully utilizes the tour rig without any modification, allowing a frictionless integration of the supplemental package when needed.
Gavin Adcock
Gavin's team came to us with a bold project: 22 songs of video content, completed in less than two weeks. We built a 3D noen sign strucutre in Notch Builder and created a unique scenescape for each song. This process allowed us to give Gavin a dynamic and comprehensive show within the given timeline.
Julien Baker
Julien Baker‘s fall tour was a full service project. From advancing dimensions with the venues and bidding out to vendors, all the way to each individual lighting cue. This tour is the full GC treatment.
Free Throw
Free Throw's tour presented a common challenge for emerging artists: creating a budget-friendly rig that not only fills the smaller headline venues, but also fully supports their opening sets for larger artists with a short set change. Our solution was a design focused on pre-built, easy-to-assemble lighting carts that could adapt to various stage sizes, triggered by timecode, all while fitting into a compact 6-foot trailer footprint and delivering a heavy hitting show. The show is fully automated, no lighting director needed.
Charlie Puth
We provided the media server file and video content/imag effects for Charlie Puth’s Rock in Rio 2024 set. The file was built out in Arena Resolume and triggered via MA3.
